What should we do with “our” antiquities?

17 Nov 2011 8:40 AM | Anonymous

What should we do with “our” antiquities?

US museum directors wrestle with the long-term consequences of artefacts acquired without watertight provenance

By Erica Cooke. From Museums, Issue 229, November 2011
Published online: 17 November 2011

One year on from the collapse of the five-year trial in Rome of Marion True, the former antiquities curator of the Getty, the directors of US museums that possess antiquities collections and the curators who are responsible for them face a multitude of challenges, one of which is the potentially negative publicity surrounding claims for the restitution of artefacts. An ordeal by trial in an Italian court is another (True was in the dock charged with conspiring to receive antiquities that had been illegally excavated and exported). In June 2010, it emerged that the public prosecutor’s office in Rome was undertaking a preliminary investigation into another American curator of antiquities, Michael Padgett from Princeton University Art Museum, along with former New York antiquities dealer Edoardo Almagià and two other co-defendants.

Although the Padgett case has gone quiet, the issue of museums’ complicity in looting, especially from Italy but increasingly from nations around the world, refuses to go away. The recent publication of Chasing Aphrodite (which focuses on decades of Getty acquisitions) reignited the debate, especially in the US. The book’s authors, Jason Felch and Ralph Frammolino, were widely quoted as saying: “For the past 40 years, museum officials [in the US] have routinely violated the spirit, if not the letter, of the Unesco treaty [designed to prevent looting], buying ancient art they knew had been illegally excavated and spirited out of source countries.”


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