Leila Amineddoleh is the Executive Director of the Lawyers' Committee for Cultural Heritage Preservation. She is a partner at the law firm of Galluzzo & Amineddoleh where she is an art and intellectual property litigator, working on complex legal matters involving artists’ rights, authenticity disputes, international art fraud, theft, and cultural heritage matters. Leila also works in academia, teaching Art & Cultural Heritage Law at Fordham University School of Law and for the Rome Program at St. John’s University School of Law. Her academic research focuses on art authenticity issues and cultural heritage preservation.
Leila’s interest in the protection of art and cultural heritage stems from her upbringing as a classical musician. Leila grew up in a home surrounded by art and antiquities, and has been playing classical piano since before she can remember. Growing up in a suburb outside of New York City, she chose to attend New York University to remain in the center of the art world. Leila’s love for the arts inspired her to attend Boston College Law School to pursue a legal career in order to protect artists and musicians. However, once she began studying art law, Leila learned about the heartbreaking destruction of cultural heritage occurring around the world, and she decided to devote her career to the protection of these precious objects and places.
Leila currently works in Manhattan, and represents a wide variety of clients, including gallery owners, artists, musicians, art collectors, and non-profit arts organizations. In her spare time, she plays and performs classical piano.
Elizabeth Hale, Fellow
Elizabeth Hale is currently a CA licensed attorney and resides in the San Diego area. Elizabeth received her undergraduate degree from UCLA, where she graduated cum laude and with highest departmental honors in Art History. She went on to study law at the University of Arkansas, School of Law, completing her JD in 2013.
Elizabeth developed an interest in the legal issues related to the theft and destruction of cultural property while acting as a research assistant to Professor Norvell. In this position, she performed extensive research into the laws related to art stolen during World War II. She expanded her research to include the ongoing conflicts in the Middle East while acting as a senior editor of the Journal of Islamic Law and Culture. Elizabeth has, additionally, participated in several moot court competitions, including the 2013 National Cultural Heritage Law Moot Court Competition in Chicago. She was instrumental in bringing the first competition team from the University of Arkansas to the competition.
In addition to working with the LCCHP, Ms. Elizabeth is pursuing an LL.M in Trial Advocacy. She is a firm believer in the importance of cultural history and the need to protect cultural property for the education and enjoyment of future generations.
Lindsey Friedman, Fellow
Lindsey Friedman received her J.D. from Benjamin N. Cardozo School of Law in May 2014 and is pending admission to practice law in New York. While at Cardozo, Lindsey participated in the Holocaust Claims Restitution Practicum and was selected to intern at the Holocaust Claims Processing Office at the New York State Department of Financial Services. There she conducted provenance research for a collection of Nazi-looted artwork. Lindsey also participated in the Art Law Field Clinic during her studies at Cardozo. She was selected to intern with the Art Law Group at Herrick, Feinstein LLP to engage with both transactional work and legal research for art restitution cases. She served as a committee member for the UJA Federation of New York’s Law Student Committee.
Prior to attending law school, Lindsey obtained her B.A.(Hons) in Art History from Queen’s University in Kingston, Ontario, Canada, and spent her summers studying art and architecture in Venice, Italy, and in East Sussex, U.K. Lindsey then went on to complete her M.A. from the Courtauld Institute of Art in London, England. During her studies, Lindsey volunteered with the Commission for Looted Art in Europe in order to help locate and retrieve various looted artworks for Jewish families.
Salome Kiwara-Wilson, Fellow
Salome Kiwara-Wilson is a Chicago-based attorney who obtained her J.D. in 2013 from the DePaul University College of Law. While in law school, Salome interned at the Field Museum of Natural History where she worked on NAGPRA research, as well as intellectual property issues pertaining to objects in the museum's collection. She also interned at the John D. and Catherine T. MacArthur Foundation where she researched issues in non-profit law and intellectual property law as they affected the Foundation's grant making capabilities. Salome's senior thesis paper "Restituting Colonial Plunder: The Case for the Benin Bronzes and Ivories," was published in The DePaul Journal of Art, Technology & Intellectual Property Law, and was awarded first place in the 2012 LCCHP Student Writing Competition.
Salome received Bachelor of Arts degrees in Art History and French from Berea College in 2009. As an undergraduate student, Salome spent a summer interning with the Art Loss Register in England, before spending a semester studying abroad in Aix-en-Provence, France. After her graduation from Berea College, Salome served as Thomas J. Watson Fellow. As part of this fellowship, she traveled to Ethiopia, Egypt, South Africa, Togo, Ghana, Tanzania, Cambodia and Thailand to research the correlation between community cultural identity and the illicit trade in cultural property.
In addition to serving as a Lawyers' Committee for Cultural Heritage Preservation fellow, Salome works as a researcher/writer for Research Write Legal, LLC.
Lily McManus joined LCCHP as a William & Mary Post-Graduate Public Service Fellow. She obtained her J.D. from William & Mary Law School in May 2012 and is admitted to practice law in Virginia.
While in law school, Lily served as Editor-in-Chief of the William & Mary Journal of Women and the Law, and was awarded the Dean’s Certificate in recognition of her leadership. Her student note, “The Anatomy of a Helping Hand: Women-Owned Small Businesses and Federal Contract Procurement,” was chosen for publication in the eighteenth issue of the Journal of Women and the Law. She spent her two law school summers conducting research for, respectively, her contracts professor and the National Center for State Courts; during her first year, she also assisted in legal research pertaining to an ownership dispute over the Lorton Meteorite, which now resides at the Smithsonian Museum of Natural History.
Lily gained more than three years of paralegal experience before law school as Senior Legal Assistant to the International Trade Practice Group of the law firm Arnold & Porter LLP. She obtained her B.A. in Classical & Medieval Studies from Bates College in 2005, having spent her junior year abroad in Florence, Italy, studying Italian language, history, and art. Upon the completion of her fellowship, Lily joined Cultural Heritage Partners, PLLC, a law and consulting firm serving clients in the art, cultural heritage, museum and historic preservation communities.